Public Enemy Bside Wins Again Acapella
Kurious featuring Mike G & Sadat X : A Mansion And A Yacht (Hoppoh, 1994)
Kurious & Leaders Of The New School : Freestyle in the Stretch Armstrong and Bobbito show
Brand Nubian : Freestyle in the Stretch Armstrong and Bobbito show
Having guest on your previously unreleased B side is always a plus, especially if he'due south not your hype man (or you're not his hype man !) or role of your crew.
For his third single (but the only i released later on the Constipated Monkey LP), Kurious had to offer something fresh. The puerto-rican MC got his start by co-hosting the Stretch Armstrong and Bobbito testify in it'southward early on days, hence his fan base consisted of some the most cloak-and-dagger heads, but with it'due south Blackbyrd played out sample I'thou Kurious was his nigh commercial song (OK, I admit I didn't know where the sample came from back in 1994, but I knew it had been used one also many fourth dimension).
A Mansion And A Yacht was an unlikely posse cut produced by VIC, where Kurious teamed upward with Sadat X and Mike One thousand. You could take imagined him trading rhymes with his CM fam friend Zev Love X, or his Hit-U-Off management mates Artifacts or Hard To Obtain, but instead he decided to randomly pushed to the studio a couple of rappers at the lowest in their carreer. I don't know the story behind the song, but they probably but met while working in the same recording studios (office of All Or Nothing was actually recorded in the same studio equally this song) or freestyling on the radio. And quite honestly the result sounds more sincere than a lot of posse cuts where each verse is written diplomatically, everybody kicks 1 verse, and no 1 has more bars than the other. Also y'all can bet that about times the host has his verse in the middle of the song, or if it's a grouping the invitee verses will be intertwined with the host verses. Here nosotros have a feel-good song where they all laissez passer the mic back and forth, kick two dissimilar chorus, and don't even bother to repeat the title twice.
The anthology seems to be in loftier demand nowadays, despite the fact that Hoppoh vinyles were manufactured past Sony, which means very bad pressing. This LP and Big L'due south Lifestyle Ov Da Poor And Unsafe can be qualified every bit some of the everyman hip hop vinyl always, forth the line of the whole Relativity catalogue. Anyway, the 12" sound was correct and had two mixes (the Baja Panties an the Merchantz mixes), this is the horn-less Baja Panties one.
Kurious featuring Mike G & Sadat X : A Mansion And A Yacht (Hoppoh, 1994)
Kurious & Leaders Of The New School : Freestyle in the Stretch Armstrong and Bobbito evidence
Brand Nubian : Freestyle in the Stretch Armstrong and Bobbito show
Le fait d'avoir un invité sur sa face B est toujours united nations plus, en particulier quand il ne s'agit pas d'united nations membre du coiffure.
Pour son troisième single (le seul sorti après l'album A Constipated Monkey), Kurious se devait de proposer quelque chose de nouveau. Etant donné qu'il a débuté comme co-présentateur du Stretch Armstrong and Bobbito show au début des années 90, la plupart des fans de Kurious étaient des fans de rap surreptitious, mais avec son sample grillé des Blackbyrds I'm Kurious était son morceau le plus commercial.
A Mansion And A Yacht était un posse cut improbable produit par VIC, sur lequel Kurious rencontrait Sadat 10 et Mike M. On 50'aurait plutôt imaginer rapper aux cotés de son pote du CM Coiffure Zev Love Ten ou bien ses camarades d'Artifacts ou Hard to Obtain (deux groupes managés alors par Bobbito), mais au lieu de ça il semblait avoir coincé dans le studio deux rappers choisis au hasard parmi les MCs les moins cotés du moment. Il y a surement une histoire derrière ce morceau, mais on peut imaginer que Kurious les a tout bêtement rencontrés dans le studio d'enregistrement (Alladat de Brand Nubian a d'ailleurs été enregistré dans le même studio) ou lors d'une émission de radio. Honnetement, peu importe le contexte, le résultat semble plus sincère que beaucoup de posse cuts où chacun à exactement seize mesures cascade son poser couplet. Et dans la plupart des cas on peut parier que le MC principal pose au milieu. Ici l'ambiance est décontractée, le micro semble passer de master en chief, les deux refrains sont totalement différents, et le titre n'est mentionné qu'une seule fois dans tout le morceau.
Source: https://bsidewinsagain.blogspot.com/2005/01/
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